Cameraman based in Edinburgh, employed by ITN, working for ITV's Good Morning Britain covering stories all over the UK and the world. War Zones, World Cups, Royal Tours and many other less exciting assignments, like interviewing current and ex Prime Ministers have kept me busy over the years working in Breakfast Television since GMTV came on the scene back in '93 and regional TV before that. In 2009 I began to record what it is like to work, the often strange and long hours needed to bring the hard news, human interest and fluffy fun to the UK's TV screens in the morning, mostly broadcasting live.

Monday, 15 March 2010

She Won!

Sunday 14th March


Rose had won the Britain’s Best Mum competition, but she didn’t know.


Producer Sarah and Weather Presenter Clare Nazir were waiting for me when I arrived in a sunny Airdrie.


I got the gear out of the car to the accompaniment to the sound of kids laughing as they leapt about on a bouncy castle in Roses back garden.


She had been taken to the supermarket by her son Chris to give the rest of the family to set up a party for her.


She was on her way back.


I put on the wide angle lens that Sarah had bought for me and I put a radio mic on Clare.


In no time the car pulled up outside the house.


Clare and I went to meet her and give her the good news.


She was as stunned this morning as she was when we did the live broadcast last Tuesday morning.


Clare Gives a Stunned and Emotional Rose a Reassuring Hug.


Sarah guided me backwards as we walked Rose to her garden.


On the way she was even more stunned and understandably lost for words when Clare gave her tickets for a holiday in Jamaica and a cheque for £500.


Rounding the corner of the house leading to the garden brought a hint of a tear to her eye.


The Surprise Certainly Showed.


When her mother who suffers from Altzheimer's disease and she looks after came over to give her a hug it was not a hint any more.


The weather was perfect and the reaction just what we wanted.


The Smiles Say it all.


After the little filming we gave her our congratulations and let her know about the details that included a trip to London to be on the GMTV sofa tomorrow morning.


Then we left to let her enjoy the party and prepare for the jaunt to the big city.


Rose, her Mum, Family and Friends.


Weather and Fashion at Chatsworth House

Friday 12th March


The fashion live broadcasts were to be done on two cameras.


The signals from both cameras would be fed separately into the satellite truck and sent to GMTV to be cut by Erron the director in the gallery in London.


As well as doing one of the cameras on the fashion Simon would do the weather broadcasts with Kirsty.


When the satellite was in position he rigged up his camera and lights for the first broadcast.


The house looked beautiful as the light came up.


Simon and Jason set up with Kirsty as the blue sky Appears.


The weather was looking not too bad so it was looking good for the outside location for fashion.


Although I had managed to organise some extra lighting from the contractors that were working on the renovations in the house.


It would be far from perfect but if we had to use the hall it might work.


When the light came up enough for Simon not to need his lights he, Kirsty and sound recordist Jason went to do the rest of the weather broadcasts around the gardens.


They were using the Digi Link to allow them free roam over a large area over the large area.


The weather had taken a turn for the worse so we had to make a decision about chancing the outside or going for the safe and much warmer option inside.


We went for the interior location.


So I rigged what lights I could, started putting in camera cables and going through the choreography of the fashion broadcast with Chantal the producer and Mark Hayes GMTV’s fashion expert.


The satellite truck had parked so that if we used the outside location the noise from its generator would not encroach on the natural sound coming from the estate.


There was a slight problem in that if we used the interior location there would not be enough camera cable to reach the truck. It would need to move.


The Truck In Position Outside the House.


"Cue the Weather!"



Simon Focuses on Kirsty.


Betsy's Happy Keeping him and the Camera Dry.


The final weather broadcasts were done from the area we had planned for the fashion.


To give us time to finish rigging inside the house the last weather was recorded straight after the one at 8 o’clock and played out at around 8:30.


Once that was done the truck was move a little so that the cables would reach.


Simon and Jason came in from the cold and rain. We talked through the the fashion item and did a rehearsal.


Mark and the Models on the Grand Staircase.


One of the aspects that we needed to be aware of were a selection of graphic captions that would be on the screen.


They would show the price and from which shop the items that Mark talked about came from.


The information that we had when I set up the lights, positioned Mark and the models was that these graphic captions would be on the right of the frame on the wide shot.


So on that basis we managed to get a couple of run throughs.


All we needed to do now was a rehearsal with Erron the director.


It would not be a full rehearsal because the item was to run around five minutes and the only time we could rehears with Erron was the commercial break just before the item.


It was only going to run around three minutes.


It was fairly simple as there was just a wide shot, that Simon would do and close ups of the clothes that I would do.


As we went into the break it started to get complicated because we had received the wrong information about the position of the captions.


They would be on the left of frame.


Very quickly Simon and I barked instructions at Mark, the models and shifted the carefully place lights.


This was because we had to reverse everything.


We did a part rehearsal and if seemed to go alright.


Next it was time for the real thing.


We got into our opening positions and Chantal made sure that some of the noisy renovation and cleaning work still going on was stopped.


The timing, the positions and the choreography of the transmitted item all seemed to work and Erron said he ws happy.


We trooped out to Simon in the satellite truck to watch the off air recording he had made of the item.


It did look not too bad. However we were a bit surprised that the captions were not on the wide shots but on my close up shots.


Even although it did look acceptable both Simon and I were a little upset at the wrong information about the captions coming through to us because if we had the correct information we would have adjusted our framing accordingly and it would have been much better.


I spent the rest of the showery day trekking back up the M6.


Thursday, 11 March 2010

Chatsworth House

Thursday 11th March (Afternoon)


Leaving behind the little terraced house in Oldham that must have been an emotional cauldron I drove through the beautiful Peak District towards Chatsworth House.


The Peak District as Spring Approaches.........


..........Beautiful.


We were to do the weather broadcasts and a fashion item there in the morning.


There were some shots to do that we would not be able to get in the morning live and a recce to be done to see the best place for the fashion.


The reason that we were doing the job there had been a lot of renovation work and the opening up of some new areas never yet seen by the public.


I met Kirsty the weather presenter, Chantal the Producer and Betsy the researcher along with Simon and Steve the PR chaps from the house.


On the way in I had done the wide shot of the impressive house from a distance and now we had a walk around the outside where I got some closer exterior shots.


The View Over the Lake Housing the Emperor Fountain with the House at the End.


We worked out the best place for the weather broadcasts and the fashion item if the weather stayed dry.


Inside as well as doing some shots of the new areas that were still being finished off we looked at an interior location that would be a wet weather option.


The whole place is quite jaw dropping in it’s grandeur and history.


One of the Grand Rooms, The Dining Room.


The best place for the fashion was the painted Gallery with its fantastic murals and grand staircase.


The Spectacular Painted Hall from the top of the Staircase.


The only problem was that the paintings on the ceiling and walls are very dark and need quite a bit of lighting to be shown off to their best effect.


I called GMTV to see if we could get some additional lighting but by that time in the evening there was no one that could help out.


We hoped that the weather would be not too bad in the morning because there are a beautiful set of steps near the area that the weather broadcasts would come from.


I carried on doing some shots of the areas inside that would be seen by the public for the first time when the house reopened to the public on Sunday.


The Sculpture Room.


We also did a quick interview with the Duke of Devonshire. He was very proud of the work that had been done getting things ready for Sunday.


Working to get it all Done by Sunday.


Having done what we needed to do we went to out hotel a half hour drive away along the pretty, although now dark country roads.


He's Free!! Oh! Maybe he's not!

Thursday 11th March


I was getting out of my bed, the only one to be had in the whole of the greater Manchester area courtesy of some football match between Manchester United and Inter Milan with a return to Old Trafford from David Beckham when a noisy text message arrived.


It told me that I need not rush to get to Sahid Saleed’s house in Oldham because the satellite truck was going to get on location a bit later than we would have liked because the M6 was closed for roadworks and there were lengthy diversions and speed restrictions most of the way up.


So, when I arrived in the narrow street near in the dark the only sign of life was the Sky News truck with the dish up, the generator rumbling away, a glow coming from the monitors and the cameraman stretched out gently snoring.


The continuing story of the poor little kid being kidnapped in Pakistan was getting stranger and stranger.


His dad had reportedly returned to the UK against the express advice of the Pakistani police.


Soon after I arrived Mark the sound recordist pitched up as did correspondent Richard Gaisford.


At ten minutes to six, only eleven minutes until our first broadcast was due Pete eased the SIS truck between the rows of frost covered cars and parked in a space I had reserved for him by taking up as much space as possible with my car.


The Satellite Truck in Position.


“Can we make the 6?” I asked, expecting to be told no.


“No problem. This is not a U Pod.” a smiling Pete replied as he flicked generator and amplifier switches.


I had the camera cabled up quickly, Mark had Richard wired up with radio mic and a talkback unit from the truck within two minutes.


By the PA’s count in my ear there were four minutes 'til the programme went on air.


“The amps only need one more minute to warm up. Then we’re on.” said Pete with obvious pride.


Over his shoulder I could see one of the monitors flashing black and white lines with bits of noisy interference in between.


I expected to see the colour bars from my camera.


Pete then noticed the same thing and asked if I had cabled up.


Tone from Mark's sound mixer was in its characteristically annoying way whining out of the speakers.


I told him it was and I was sending SDI, my voice disappearing from him as I dashed back to the camera to check.


“Go to analogue.” he quickly replied.


There were now around two minutes to the programme going on air.


I changed the output from the camera and got a thumbs up from Pete.


Then Richard asked, “Why have I got Sky News programme sound?”


At the same time the Sky cameraman was saying that he had lost his talkback.


The truck that had been assigned to us was transmitting talkback on the same frequency as Sky.


Sky had arrived first so the protocol in these situations is that they get to use the frequency.


There was now less than a minute to go to on air.


I called Dave the TD to let him know that Richard did not have talkback so I would give him his cues and count with hand signals.


Dave told me that the lack of talkback was at that point moot because the pictures and sound from us were not broadcastable.


Whilst I was having this brief conversation Mark was an octopus on heat pulling out his talkback units, plugging in cables and manhandling Richard to change his receiver.


The programme was on the air and the news bulletin had started.


“Go back to SDI!” Pete had also been flailing around in the truck with cables.


I quickly changed the output of the camera.


“Don’t know what you’ve done but pictures and sound are both perfect now.” Dave immediately said over the new talkback.


That was the good news.


“Unfortunately we’ve missed the first broadcast,” he added.


That was the bad news.


At least we’d be ready for our next broadcast at six thirty.


Richard retreated to his car to make phone calls about the story and we convened in the truck to have a bit of a post mortem about why the things had not quite gone to plan and what we'd done about it.


The Sky and BBC Further Along the Road.


We were in the middle of discussing the whys and wherefores with still about fifteen minutes to go before our next stint when the sliding door of the truck opened in a rush and Richard said excitedly, “let’s get ready to go guys. He’s been found!”


We went back to the camera position where the Sky reporter was getting ready to do his first broadcast and the BBC producer and reporter were chatting about what to do.


Richard went over and knocked on the front door of the house. He was followed by both the BBC producer and Tom the Sky reporter once he had finished his broadcast.


I had the camera rolling, but there was exactly no movement or sign of life from the house.


The door remained firmly closed and the curtains did not even twitch.


No surprise really given the time of day.


On the other hand very surprising given the news that we were hearing.


Richard, the BBC producer and Sky Reporter Waiting for a Response.


Seemingly the Minister of Justice, no less, in Pakistan had said that little Sahil had been found safe and well.


Our small media pack was now buzzing with this good news.


On the next broadcast Jonathan Swain the GMTV correspondent sent to Pakistan was on air with a live phone report saying that the news over there was that the boy had certainly been found and may in fact already be back in the UK with the father.


We were all rather amazed by this possible turn of events.


Sky and the BBC do their Live Reports.


This already strange and complex story was now reaching heights of incredulity.


Richard was asked from the studio what the situation was in Oldham.


He said that things were all confusing and there had been no movement or comment from the family home and that Greater Manchester police were saying there was nothing that they could do.


“Door!” I exclaimed.


At the same time I was unhitching the camera from the tripod and heading towards the house.


I had seen a flicker of movement through the frosted glass of the front door.


Richard, Mark and I got there first as a bemused looking lady peered out of the door she had half opened.


Richard and the reporters from the BBC and Sky asked if she knew anything.


In a shy timid voice she said they had heard nothing new.


I had recorded locally in the camera, but we hoped that it had been recorded in London do that it could quickly be turned round to be played out t in the next fast approaching broadcast.


The boys in ITN MCR had been on the ball and it was safely in the capacious electronic memory at Gray’s Inn Road and being sent to GMTV.


Jonathan was now live from Pakistan and started the report that then came to us in Oldham.


Richard linked into the piece we had done only moments earlier.


From then on things began to unravel.


The news from Pakistan was now that although the Justice Minister was saying Sahil was safe the police were saying that he wasn’t but soon would be.


Other sources were saying that the father might not be in the UK after all.


Richard gets the Conflicting Information.


GMTV got a few e-mails saying that we had been insensitive going to the door of the family.


Everyone was now in disarray. For every report from a supposedly credible source there was a conflicting report from another credible source.


The only thing that would settle it once and for all was if there was a shot of the poor kid.


If he had been found I could just imagine the madness that would be going on with cameramen and photographers fighting to try and get a picture of him.


From the initial excitement and joy that he was safe the mood changed to one of much more caution and trepidation about reporting what was fact.


When the main GMTV programme finished and LK started we relaxed a little and just stood by in case something real actually happened.


It was with a sense of disappointment and sadness on behalf of a still distraught mother that when the closing credits rolled we packed our kit and said good-bye to our colleagues who were still awaiting further events in the chill sunshine.